Virgin Mary with Child and Saint John

Already attributed to Niccolò Betti and later to an indefinite master of the same circle, the artwork seems very similar to the style of Francesco del Brina, due to the characteristic round eyes, the almost articulated bodies, and the harsh and vivid colour tones. These peculiarities are partly found in the panel with the same subject, attributed to him, exhibited on the second floor of the museum, in which the supple movement of the Child and the sweetness of the Virgin Mary's face are similar. However, other characteristics could possibly point towards Baccio Tosini, a still little-known painter, who expressed himself with diluted and iridescent colours in tones dominated by pinks and oranges.