The Good Samaritan

This artwork depicting the evangelical parable of the Good Samaritan was painted by the Neapolitan painter Nicola Malinconico, as documented by the signature on the lower right. The inscription “Cav. Nic. Malinconico” was found on the occasion of a restoration in 1953. Before then it was attributed to Luca Giordano, Malinconico's main master.
Taken from the Gospel of Luke, the tale of the Good Samaritan is one of the best-known parables. A young Jew lies wounded on the edge of a road, ignored by many until he is rescued by a traveller of Samaritan origin. This is a population traditionally considered “impure” by the Jews. The scene in which the Samaritan, far from prejudice, shows his compassion for the wounded man summarises the profound evangelical concept of unconditional love for one’s neighbour, regardless of faith, background or social rank.
The character on the right lies wounded, unarmed, and naked, displaying, almost in ecstasy, the beauty of a defenceless body. On the left, the Samaritan, attentive and caring, with his face framed by a long and thick beard, bends over his body to heal his wounds. His expression is mild and thoughtful. To the wise healer, the painter gives a light dynamism, as can be seen in the sparkling reflections on the arm that he is medicating which features vibrant colours. In contrast to the dark background, his clothes feature bright colours.
A rarefied atmosphere permeates the surrounding landscape. On the left, the head of a horse appears almost detached. In the distance, on the right, it is possible to see, almost like evanescent figures, two passers-by's shoulders, seemingly unaware of the surrounding environment.